Sarah Izmailova

Download Now Server 1 Download Now Server 3 Download Now Server 2 neue Singular is a contemporary Neo-grotesque sans-serif designed in three variants. The suffixes H, D, and V indicate the corresponding treatment of the stroke endings: H for horizontal, D for diagonal, and V for vertical. Despite of the stylistic range neue Singular covers it is still one coherent typographic system that shares the same amount of weights, identical character sets and vertical dimensions. Professional typographers are encouraged to use the individual variants as optical sizes — neue Singular H for headlines, neue Singular D for copy and neue Singular V for the small print. neue Singular is designed with space sensitive environments in mind. Environments such as interfaces, forms and wayfinding applications. The letter spacing is adjusted in a way that allows for switching weights an

Download Now Server 1 Download Now Server 3 Download Now Server 2 Griff is a family of sans serif typefaces with unusual stroke contrast. The ‘middle’ parts of many of the fonts’ letterforms are drawn with much thinner strokes than those found in the rest of typeface. The Griff family includes 10 styles; these are five weights that range from Light through Bold, each with an upright and italic font. The typeface is a bit humanist in style; its strokes end in horizontal or vertical cuts, rather than in diagonals. The letterforms’ counters are also mostly open. The fonts’ x-height is tall, and the lowercase letters’ ascenders rise slightly above the height of the capitals. Speaking of Griff’s capital letters, they are a bit narrower in the feeling than the lowercase. Several of Griff’s letters feature ‘vertical’ line segments that are actually slightly diagonal – in

Download Now Server 1 Download Now Server 3 Download Now Server 2 Associate Sans is a large family of ten sans serif fonts. The typeface is perfect for use in Editorial Design. Its letters have a strong ‘American gothic’ look. This genre has been used since the early 20th-century for the design of publications, corporate identities, and even the small print in newspapers and magazines. While Associate Sans’s letterforms appear to be monolinear, this is not entirely so. Several optimal tricks have been drawn into the typeface’s letterforms to optimise them, and give them this look and feel. Like other ‘American gothics,’ Associate Sans features double-storey lowercase ‘a’ and ‘g’ letters. Each of the family’s five weights – from ExtraLight through Bold – has a companion italic font. These italics should really be called ‘obliques,’ since they use th