Sarah Izmailova

Download Now Server 1 Download Now Server 3 Download Now Server 2 Saes Grotesk is inspired by the first sans serif typefaces from the XIX century. In America, these sorts of fonts were called Gothics, in Britain Grotesques, and Grotesks in Germany; despite these different labels, they pointed out two things: the lack of refinement and the change of type paradigm. The creation of Saes follows that idea and mixes it with contemporary aesthetic features.   Some letter endings like “a”, “c”, or “e” were projected a bit further, providing a contemporary vibe. On the other hand, we squared the grotesk “g” and linked it with the ligatures features to give a weird-good-looking texture when it is used to compose texts. We also looked at many old grotesk font specimens, and ink errors pop up in front of our noses. For instance, the bar of the pound symbol was slightly uneven; thus, we took these mistakes and put them in some letters as details, which enrich the organi...

Download Now Server 1 Download Now Server 3 Download Now Server 2 Saes Grotesk is inspired by the first sans serif typefaces from the XIX century. In America, these sorts of fonts were called Gothics, in Britain Grotesques, and Grotesks in Germany; despite these different labels, they pointed out two things: the lack of refinement and the change of type paradigm. The creation of Saes follows that idea and mixes it with contemporary aesthetic features.   Some letter endings like “a”, “c”, or “e” were projected a bit further, providing a contemporary vibe. On the other hand, we squared the grotesk “g” and linked it with the ligatures features to give a weird-good-looking texture when it is used to compose texts. We also looked at many old grotesk font specimens, and ink errors pop up in front of our noses. For instance, the bar of the pound symbol was slightly uneven; thus, we took these mistakes and put them in some letters as details, which enrich the organi...

Download Now Server 1 Download Now Server 3 Download Now Server 2 -OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic. Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific. Made with tireless attention to detail an...

Download Now Server 1 Download Now Server 3 Download Now Server 2 Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font. Download Kontora Font Family From NaumType